Articles Body transformations in the films of Claire Denis: from ritual to play Elena del Rio This article reads two of Claire Denis' films - Nénette and Boni (1997) and Beau travail (1999) Branded city living: Taipei becoming-Paris in Yi ye Taibei/Au Revoir Taipei (2010) David Martin-Jones This article analyses Yi ye Taibei/Au Revoir Taipei (Chen, 2010). Due to its status as a co-production (with Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl's Free Fall. Paolo Magnagnoli Opening with an image of a Boeing aircraft falling to the ground, Hito Steyerl's video In Free Fall Charcoal Matter with Memory: Images of Movement, Time and Memory in William Kentridge’s “Charcoal Drawings for Projection" David H. Fleming In his temporal philosophy based on the writing of Henri Bergson, Gilles Deleuze describes duration (durée) as Cinema 3 Ka-Fai Yau Exploration of the works of Hong Kong director Fruit Chan as minor cinema. Author Name: Yau, Ka-Fai Journal: Cinematic Bodies: The blind spot in Contemporary French Theory on Corporeal Cinema Jrme Game The article interrogates the significance of the conjunction which has been taking place in the last few years Classic Adaptations, Modern Reinventions: Reading the Image in the Contemporary Literary Film Belen Vidal Contains exploration of role of the time-image in Martin Scorsese's The Age of Innocence. Author Name: Vidal, Belen Classroom Video Data and the Time-Image: An-Archiving the Student Body Elizabeth de Freitas Video data has now become the most common form of data for educational researchers studying classroom interaction Control and Cinema: Intolerable Poverty and the Films of Bela Tarr Phillip Roberts In Cinema 2 Deleuze conceptualises the time-image as a cinema of infinite variation, opening the stable forms of Deleuze and Chinese Cinemas (editorial) David Martin-Jones and David H. Fleming This special edition was prompted by three conferences, held in the PRC and Taiwan « Previous 1 2 3 4 5 … 10 Next »