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Articles

Information, secrets, and enigmas
Laura U. Marks Author Name: Marks, Laura U. Journal: Screen Citation: Marks, Laura U., "Information, secrets, and enigmas", Screen, 50:
Inverted identification: Bergson and phenomenology in Deleuze's cinema books
Boaz Hagin Deleuze's cinema books are often understood as adopting a Bergsonian framework while rejecting phenomenological accounts of film experience
Jack the Ripper’s Bodies–without–Organs: Affect and Psychogeography under the Scalpel in From Hell
Anna Powell Discusses Deleuzian conceptions of affect, bodies-without-organs, delirium, temporality and psychogeography in relation to From Hell. Author Name: Powell,
Jia Zhangke's Still LIfe: Destruction as Intercession
Erik Bordeleau This essay is intended as a kind of meditation on stillness, or, more precisely, the stopping power that
Kim Ki-duk’s Aporia: The Face and Hospitality (on 3-Iron)
Steve Choe This paper begins by discussing the recurrence of silent characters throughout the films of Kim Ki-duk. Hee-jin, who
Labyrinth of Time in Wong Kar-Wai’s In the Mood for Love and 2046
Sonia Front The aim of this paper is to analyse and interpret two films of Hong Kong director Wong Kar-Wai,
Labyrinths and Lines of Memory in Documentary Film
María Belén Ciancio An examination of two Argentine documentaries that show distinct experiences of memory—Memoria del saqueo (released in English as
Landscapes of Expression: Affective Encounters in South Indian Cinema
Anand Pandian An anthropological exploration, based on experiences on location with film crews, of the affective nature of South Indian
Lars von Trier, Dogville, and the Hodological Space of Cinema
Tarja Laine In an interview on his film Dogville (Denmark, 2003) Lars von Trier said that the absence of setting
Layering Images, Thwarting Fables: Deleuze, Ranciere and the Allegories of Cinema
Augustin Zarzosa From the author: This essay evaluates Jacques Rancière’s apparently devastating critique of Gilles Deleuze’s film philosophy. In “From