Articles Lives Aquatic: Mediterranean Cinema and an Ethics of Underwater Existence Elena Past This essay considers the role of the Mediterranean in "Emanuele Crialese's Respiro (2002)" and Wes Anderson's "The Life Memories of the Unlived Body: Jean-Louis Schefer, Georges Bataille and Gilles Deleuze Patrick ffrench Jean-Louis Schefer's newly translated The Ordinary Man of Cinema (2016), originally published in 1980, proposes a singular account Mental Landscapes: Bazin, Deleuze and Neorealism (Then and Now) Justin Horton Uses Deleuze's work on free indirect discourse, in combination with Bazin, to explore the film George Washington (2000). Miraculous Realism: Spinoza, Deleuze, and Carlos Reygadas's "Stellet Licht" Niels Niessen Author Name: Niels Niessen Journal: Discourse 33.1 (2011): 27-54 Mohamed Soueid’s cinema of immanence Laura U. Marks Marks relates the humane atomism of Mohamed Soueid's Civil War trilogy to the concept of the plane Movement! Action! Belief? J.M. Bernstein Poses several philosophical objections to Deleuze's Cinema books. Provides an alternative reading of Hiroshima mon Amour. Author Name: Museums of Memory: The Recovery of Lost (National) Histories in the Uruguayan Documentaries Al pie del árbol blanco and El... David Martin-Jones and Maria Soledad Montañez Two Uruguayan documentaries, Al pie del árbol blanco (2007) and El círculo (2008), engage with Of Windows and Country Walks: Frames of Space and Movement in 1990s Austen Adaptations Julianne Pidduck Uses Deleuze's concept of the movement-image to open up questions of power and desire through audiovisual plotting of Out of the Ghetto: Queerness, Homosexual Desire and the Time-Image D. Pendleton Author Name: Pendleton, D. Journal: Theory, Culture and Politics Citation: Pendleton, D. (2001) 'Out of the Ghetto: Queerness, Passions and Actions: Deleuze's Cinematographic Cognito Richard Rushton When writing about cinema does Deleuze have a conception of cinema spectatorship? In New Philosophy for New Media, « Previous 1 … 4 5 6 7 8 … 10 Next »