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Articles

Ranciere, Deleuze and contemporary film aesthetics
Duncan McColl Chesney Author Name: Chesney, Duncan McColl Journal: New Review of Film and Television Studies Citation: Chesney, Duncan McColl,
Rape and the Rectum: Bersani, Deleuze, Noé
Eugenie Brinkema Brinkema discusses Deleuze's concept of the time-image in relation to female trauma and modernism in the work of
Reading Docufiction: Jia Zhangke’s 24 City
Hsui-Chuang Deppman Jia Zhangke’s 24 City (2008) combines the work of professional actors with interviews of actual Chinese state employees
Reel Time: Ethnography and the Historical Ontology of the Cinematic Image
Anand Pandian An exploration of the temporal experience of filmmaking, focusing on popular Indian cinema, and the historical ontology of
Religion, Politics and the Earth: The New Materialism
Jason Wakefield http://www.youtube.com/watch?v=Jds0GY48T1A Video analysis of Clayton Crockett & Jeff Robbins 'Religion, Politics and the Earth: The New Materialism' Palgrave:
Remembering the body: Deleuze's recollection-image, and the spectacle of physical memory in Yip Man/Ip Man (2008)
David Martin-Jones This article explores how Gilles Deleuze's conceptualization of the flashback, as ‘recollection-image’, can assist our understanding of the
Samuel Fuller's Schizo-violent Cinema and the Affective Politics of War
Elena Del Rio Author Name: Del Rio, Elena Journal: Deleuze Studies Citation: Elena Del Rio, Samuel Fuller's Schizo-violent Cinema and
Secrets and revelations: Off-screen space in Michael Haneke's Cach (2005)
Libby Saxton Critical and theoretical accounts of cinematic space to date have habitually privileged the visible spaces on the screen
Synaptic Signals: Time Traveling Through the Brain in the Neuro-Image
Patricia Pisters Author Name: Pisters, Patricia Journal: Deleuze Studies Citation: Pisters, Patricia, "Synaptic Signals: Time Traveling Through the Brain in
The architectural cinematicity of Wang Shu and the architectonic cinema of Jia Zhangke: Diagrammatically decomposing the 'main melody' in monu-mental...
David H. Fleming Although truly singular artworks emerging from distinct creative universes, Wang Shu’s Ningbo Historic Museum (2008) and Jia
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