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A Deleuzian Imaginary: The Films of Jean Renoir |
Rushton, Richard |
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Actual Image | Virtual Cut: Schizoanalysis and Montage |
Berressem, Hanjo |
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Affective Imagery: Screen Militarism |
Coleman, Felicity |
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Aimer/Mettre en résonance |
Frodon, Jean-Michel |
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An Ethics of Spectatorship: Love, Death and Cinema |
MacCormack, Patricia |
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An Imprint of Godzilla: Deleuze, the Action-Image and Universal History |
Deamer, David |
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Arresting the Flux of Images and Sounds: Free Indirect Discourse and the Dialectics of Political Cinema |
Pisters, Patricia |
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Asphalt Nomadism: The new desert in Arab independent cinema |
Marks, Laura U. |
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Becoming-Fluid: History, Corporeality, and the Musical Spectacle |
Herzog, Amy |
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Bim Bam Bom Bem: ’Beckett’s Peephole’ as Audio-Visual Rhizome |
Gardner, Colin |
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Bodies So Close, and Yet So Far: Seeing Julian Hernandez's El Cielo Divido through Gilles Deleuze's film theory |
Dapena, Gerard |
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Chungking Express: Time and its Displacements |
Tong, Janice |
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Cinema and the Outside |
Lambert, Gregg |
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Cinema Year Zero |
Flaxman, Gregory |
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Cinema, chronos / cronos: becoming an accomplice to the impasse of history |
Deamer, David |
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Cinemas of Minor Frenchness |
Marshall, Bill |
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Cinemasochism: Submissive Spectatorship as Unthought |
McCormack, Patricia |
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Cinmemonics versus Digitime |
Stewart, Garrett |
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Clichés vivants |
Aubron, Hervé |
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Comment j'ai raté Deleuze, qui ne m'avait pourtant pas loupé et comment Pollet m'a converti à celui-ci, qui pourtant l'avait raté |
Fargier, Jean-Paul |
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Constructing subjectivity in the absence of the father and mother |
Hayward, Susan |
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Darkness and Light |
Olkowski, Dorothea |
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De l'expérimental comme une ritournelle... |
Païni, Dominique |
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Deleuze and the Filmic Diagram |
Conley, Tom |
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Deleuze's Time, or How the Cinematic Changes Our Idea of Art |
Rajchman, John |
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Delirium cinema or machines of the invisible? |
Pisters, Patricia |
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Delirium Cinema or Machines of the Invisible? |
Pisters, Patricia |
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Deterritorialisation and Schizoanalysis in David Fincher's Fight Club |
Brown, William, and David H. Fleming |
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Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do? |
Fleming, David H. |
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Disorientation, Duration and Tarkovsky |
Riley, Mark |
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Du ĉoté des noms |
Narboni, Jean |
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Escape from the Image: Deleuze's Image-Ontology |
Schwab, Martin |
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Experience - Information - Image: A Historiography of Unfolding in Arab Cinema |
Marks, Laura U. |
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Feminine Energies, or the Outside of Noir |
del Río, Elena |
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Fictions of the Imagination: Habit, Genre and the Powers of the False |
Herzog, Amy |
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Film as philosophy: a mission impossible? |
Mullarkey, John |
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Filming the times of Tangier: Nostalgia, Postcolonial Agency, and Preposterous History |
Pisters, Patricia |
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Fora do campo: o futuro dos estudos de cinema |
Flaxman, Gregory |
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Forget the Alamo: history, legend and memory in John Sayles' Lone Star |
Campbell, Neil |
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Getting Real: Chinese Documentary, Chinese Postsocialism |
Berry, Chris |
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Gilles Deleuze |
Mullarkey, John |
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Gilles Deleuze et nous |
Bonitzer, Pascal et André Téchiné |
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Illusionary perception and cinema: experimental thoughts on film theory and neuroscience. |
Pisters, Patricia |
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Image or Time? The Thought of the Outside in The Time-Image (Deleuze and Blanchot) |
Ropars-Wuilleumier, Marie-Claire |
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Image-mouvement/Image-temps: une coupure? |
Leutrat, Jean-Louis |
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Immanent Images: Photography after Mobility |
Sutton, Damian |
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Immigrant Semiosis |
Marks, Laura U. |
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In Search of Lost Reality: Waltzing with Bashir |
Hadjioannou, Markos |
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Into the Breach: Between The Movement-Image and The Time-Image |
Restivo, Angelo |
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Introduction: Deleuze's World Tour of Cinema |
Martin-Jones, David and William Brown |
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Introduction: Five Theses of Actually Existing Schizoanalysis of Cinema |
Buchanan, Ian |
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Introduction: The Brain Is the Screen |
Flaxman, Gregory |
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Introduction: What Does Time Express? |
Rodowick, D.N. |
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Invisible Media |
Marks, Laura U. |
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Is a Schizoanalysis of Cinema Possible? |
Buchanan, Ian |
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L'île déserte et le peuple qui manque |
Brito, Vanessa |
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L'Image artiste |
Ménil, Alain |
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L'image moins le monde: Gilles Deleuze hanté par André Bazin |
Macé, Arnaud |
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La pensée-image/L'image-pensée |
Dosse, François |
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La réception américaine |
Andrew, Dudley |
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La table des catégories comme table de montage |
Sauvagnargues, Anne |
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Le couteau de Gilles Deleuze |
Béghin, Cyril |
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Le Monde, Temps |
Rodowick, D.N. |
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Le virtuel produit du réel: l'image-flux |
Buci-Glucksmann, Christine |
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Losing Face |
Flaxman, Gregory and Oxman, Elena |
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Mad Love |
Boljkovac, Nadine |
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Midday, Midnight: The Emergence of Cine-Thinking |
Alliez, Éric |
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Mutual Images: Reflections of Kant in Deleuze's Transcendental Cinema of Time |
Szaloky, Melinda |
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Notes to a Footnote: The Open Work According to Eco and Deleuze |
Kovács, András Bálint |
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Numbers and fractals: neuroaesthetics and the scientific subject |
Pisters, Patricia |
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O opsigno de Gilles Deleuze em Machuca (2004): cinema e historia apos a ditadura militar |
Martin-Jones, David |
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Of Images of Worlds: Toward a Geology of the Cinema |
Martin, Jean-Clet |
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Off Your Face: Schizoanalysis, Faciality and Film |
Powell, Anna |
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Once They Were Men, Now They're Land Crabs: Monstrous Becomings in Evolutionist Cinema |
White, Eric |
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Philosophy, Politics and Homage in Tears of the Black Tiger |
Sutton, Damian |
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Playing in a Minor Key |
Vidal, Belen |
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Pleats of Matter, Folds of the Soul |
Bruno, Giuliana |
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Pourquoi les images refusent de travailler? |
Fujita, Jun |
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Remaining Bodies; The Time-Image as Terrorist Act |
Stone, Rob |
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Schizoanalysis and the Cinema of the Brain |
Lambert, Gregg |
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Schizoanalysis and the Phenomenology of Cinema |
Hughes, Joe |
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Schizoanalysis, Spectacle and the Spaghetti Western |
Martin-Jones, David |
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Sculpting of the Time-Image: An Exploration of Tarkovsky's Film Theory From a Deleuzian Perspective |
McSweeney, Terence |
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Signs of the Time: Deleuze, Peirce, and the Documentary Image |
Marks, Laura U. |
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Signs Without Name |
Boljkovac, Nadine |
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Stratégie critique, tactique pédagogique |
Bergala, Alain |
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Suspended Gestures: Schizoanalysis, Affect and the Face in Cinema |
Herzog, Amy |
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Synaptic Signals: Time Travelling Through the Brain in the Neuro-Image |
Pisters, Patricia |
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Technoscience Culture, Embodiment and Wuda pian |
Wong, Kin-yuen |
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The Affection-Image and the Movement-Image |
Chandler, James |
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The Brain Is the Screen: An Interview with Gilles Deleuze |
Deleuze, Gilles |
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The Daemons of Unplumbed Space: Mixing the Planes in Hellboy |
Powell, Anna |
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The face(s) of Korean horror film: towards a cinematic physiognomy of affective extremes |
Diffrient, David Scott |
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The Film Event: From Interval to Interstice |
Conley, Tom |
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The Film Event: From Interval to Interstice |
Conley, Tom |
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The Film History of Thought |
Kovács, András Bálint |
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The Fold |
Goddard, Michael |
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The Image of Thought: Art or Philosophy, or Beyond? |
Bellour, Raymond |
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The Imagination of Immanence: An Ethics of Cinema |
Canning, Peter |
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The Landscape of Sensation |
Bogue, Ronald |
