|
Afterimages of Gilles Deleuze's Film Philosophy |
Rodowick, D.N., Editor |
|
Andrew Lau and Alan Mak's Infernal Affairs - The Trilogy |
Marchetti, Gina |
|
Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari |
Zepke, Stephen |
|
Atlas of Emotion: Journeys in Art, Architecture, and Film |
Bruno, Giuliana |
|
Atomic Light (Shadow Optics) |
Lippit, Akira Mizuta |
|
Beckett, Deleuze and the Televisual Event: Peephole Art |
Gardner, Colin |
|
Between Film and Screen |
Stewart, Garrett |
|
Bollywood in the Age of New Media |
Basu, Anustup |
|
Bollywood: Sociology Goes to the Movies |
Dudrah, Rajinder |
|
Cinema 1: The Movement-Image / Cinéma 1: L'image-mouvement |
Deleuze, Gilles |
|
Cinema 2: The Time-Image / Cinéma 2: L’Image-temps |
Deleuze, Gilles |
|
Cinema after Deleuze |
Rushton, Richard |
|
Cinema and Sensation: French Film and the Art of Transgression |
Beugnet, Martine |
|
Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema |
Kilbourn, Russell, J.A. |
|
Cinematic Folds |
Elavia, Firoza |
|
Cinematic Geopolitics |
Shapiro, Michael J. |
|
Cinematic Thinking: Philosophical Approaches to the New Cinema |
James Philips, ed. |
|
Cinematic Uses of the Past |
Landy, Marcia |
|
Cinesexuality |
MacCormack, Patricia |
|
Death of Classical Cinema: Hitchcock, Lang, Minelli |
McElhaney, Joe |
|
Deleuze and Cinema: The Aesthetics of Sensation |
Kennedy, Barbara |
|
Deleuze and Cinema: The Film Concepts |
Colman, Felicity |
|
Deleuze and Film |
Martin-Jones, David and Brown, William |
|
Deleuze and Film Music: Building a Methodological Bridge Between Film Theory and Music |
Redner, Gregg |
|
Deleuze and Film: A Feminist Introduction |
Rizzo, Teresa |
|
Deleuze and Horror Film |
Powell, Anna |
|
Deleuze and the Cinemas of Performance: Powers of Affection |
Del Río, Elena |
|
Deleuze and the Genesis of Representation |
Joe Hughes |
|
Deleuze and the Schizoanalysis of Cinema |
Buchanan, Ian and MacCormack, Patricia |
|
Deleuze and World Cinemas |
Martin-Jones, David |
|
Deleuze au Cinema |
Cardinal, Serge |
|
Deleuze e i concetti del cinema |
Angelucci, Daniela |
|
Deleuze on Cinema |
Bogue, Ronald |
|
Deleuze Reframed A Guide for the Arts Student |
Sutton, Damian, and David Martin-Jones |
|
Deleuze vai ao cinema |
Mostafa, Solange Puntel; Cruz, Denise Viuniski da Nova |
|
Deleuze's Way: Essays in Transverse Ethics and Aesthetics |
Bogue, Ronald |
|
Deleuze, Altered States and Film |
Powell, Anna |
|
Deleuze, Cinema and National Identity: Narrative Time in National Contexts |
Martin-Jones, David |
|
Deleuze: philosophie et cinema |
Heme de Lacotte, Suzanna |
|
Der Film bei Deleuze/Le cinema selon Deleuze |
Fahle, Oliver, Engell, Lorenz (eds) |
|
Digital Baroque: New Media Art and Cinematic Folds |
Murray, Timothy |
|
Documentary Time: Film and Phenomenology |
Wahlberg, Malin |
|
Dreams of Difference, Songs of the Same: the Musical Moment in Film |
Herzog, Amy |
|
Enfoldment and Infinity: An Islamic Genealogy of New Media Art |
Marks, Laura U. |
|
Film Consciousness: From Phenomenology to Deleuze |
Shaw, Spencer |
|
Film Fables |
Ranciere, Jacques |
|
Film Theory: An Introduction |
Stam, Robert |
|
Film Theory: An Introduction Through the Senses |
Elsaesser, Thomas |
|
Filmosophy |
Frampton, Daniel |
|
Framed Time |
Stewart, Garrett |
|
Funny Frames: The Filmic Concepts of Michael Haneke |
Speck, Oliver C. |
|
Gaming: Essays on Algorithmic Culture |
Galloway, Alexander R. |
|
Gilles Deleuze |
Colebrook, Claire |
|
Gilles Deleuze and the Ruin of Representation |
Olkowski, Dorothea |
|
Gilles Deleuze et les images |
Dosse, François et Jean-Michel Frodon |
|
Gilles Deleuze's Time Machine |
Rodowick, D.N. |
|
Gilles Deleuze: Cinema and Philosophy |
Marrati-Guénoun, Paola |
|
Gilles Deleuze: Image and Text |
Holland, Eugene W., Smith, Daniel W., and Stivale, Charles J. |
|
Gilles Deleuze: voir, parler, penser au risque du cinema |
Zabunyan, Dork |
|
Hong Kong |
Abbas, Ackbar |
|
Joseph Losey |
Gardner, Colin |
|
Les Cinemas de Gilles Deleuze |
Zabunyan, Dork |
|
Lessen van Hitchcock: een inleiding in mediatheorie. |
Pisters, Patricia |
|
Levinas and the Cinema of Redemption: Time, Ethics and the Feminine |
Girgus, Sam B. |
|
Melancholy Drift: Marking Time in Chinese Cinema |
Ma, Jean |
|
Memory and Survival: The French Cinema of Krzysztof Kieslowski |
Wilson, Emma |
|
Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari |
Pisters, Patricia and Catherine M. Lord, Editors |
|
New Argentine Cinema |
Andermann, Jens |
|
New Philosophies of Film: Thinking Images |
Sinnerbrink, Robert |
|
Other Worlds: New Argentine Film |
Aguilar, Gonzalo |
|
Photography, Cinema, Memory: The Crystal Image of Time |
Sutton, Damian |
|
Quebec National Cinema |
Marshall, Bill |
|
Reading the Figural, or, Philosophy after the New Media. |
Rodowick, D.N. |
|
Refractions of Reality: Philosophy and the Moving Image |
Mullarkey, John |
|
Rhizomes Special Issue: Deleuze and Photography |
Ed. Michael Kramp |
|
Schizoanalysis and Visual Culture |
Roberts, Phillip and Rushton, Richard |
|
Selfless Cinema? Ethics and French Documentary |
Cooper, Sarah |
|
Studying Contemporary American Film |
Elsaesser, Thomas & Buckland, Warren |
|
The Brain is the Screen: Deleuze and the Philosophy of Cinema |
Flaxman, Gregory, Editor |
|
The Cinematic Body |
Shaviro, Steven |
|
The Evolution of Film: rethinking film studies |
Harbord, Janet |
|
The Hollywood Historical Film |
Burgoyne, Robert |
|
The Matrix of Visual Culture: Working with Deleuze in Film Theory |
Pisters, Patricia |
|
The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture |
Pisters, Patricia |
|
The Question of Non - Being? A Pragmatic Methodology of Casino Contingency |
Jason Wakefield |
|
The Reality of Film: Theories of Filmic Reality |
Rushton, Richard |
|
The Rhizomatic West: representing the American West in a transnational, global, media age |
Campbell, Neil |
|
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses |
Marks, Laura U. |
|
The Tactile Eye |
Barker, Jennifer M. |
|
The Virtual Life of Film |
Rodowick, D.N. |
|
Time and the Digital |
Tim Barker |
|
Time Frames: Japanese Cinema and the Unfolding of History |
Nygren, scott |
|
Touch: Sensuous Theory and Multisensory Media |
Marks, Laura U. |
|
Translating Time: Cinema, the Fantastic, and Temporal Critique |
Lim, Bliss Cua |
|
Untimely Affects: Gilles Deleuze and an Ethics of Cinema |
Boljkovac, Nadine |
|
Violent Affect: Literature, Cinema and Critique after Representation |
Abel, Marco |
|
Where Film Meets Philosophy |
Vaughan, Hunter |
|
White Screen: A Cinematographic Empiricism |
Gholami, Peyman |
|
Window Shopping: Cinema and the Postmodern |
Friedberg, Anne |
|
Women's Cinema: The Contested Screen |
Butler, Alison |
