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Books

A Deleuzian Imaginary: The Films of Jean Renoir
Richard Rushton This article contrasts the notion of a Deleuzian imaginary with that articulated by various film theorists during the
Actual Image | Virtual Cut: Schizoanalysis and Montage
Hanjo Berressem If a machine is something that cuts into a continuous flow, schizoanalysis can be read, quite literally, as
Affective Imagery: Screen Militarism
Felicity Coleman Coleman looks at the relationship between technology, community, and aesthetics. Using the Deleuzian concept of the machine, she
Afterimages of Gilles Deleuze's Film Philosophy
Rodowick, D.N., Editor This collection of critical studies on Deleuze’s cinema writings provides original essays that evaluate the continuing significance
Aimer/Mettre en résonance
Jean-Michel Frodon Citation:  Frodon, Jean-Michel. "Aimer/mettre en résonance." Gilles Deleuze et les images. Ed. François Dosse and Jean-Michel Frodon. Paris:
An Ethics of Spectatorship: Love, Death and Cinema
Patricia MacCormack Citation:  MacCormack, Patricia, “An Ethics of Spectatorship: Love, Death and Cinema” in Buchanan and MacCormack (eds) Deleuze and
An Imprint of Godzilla: Deleuze, the Action-Image and Universal History
David Deamer This essay explores director Honda Ishiro’s 1954 monster flick Godzilla as a cultural artefact at the epicentre of
Andrew Lau and Alan Mak's Infernal Affairs - The Trilogy
Marchetti, Gina Marchetti's analysis of Infernal Affairs draws on Deleuze's Cinema books in relation to time, history, Hong Kong and
Arresting the Flux of Images and Sounds: Free Indirect Discourse and the Dialectics of Political Cinema
Patricia Pisters This chapter addresses the issue of contemporary political cinema to propose that contemporary cinema should be conceived as
Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari
Zepke, Stephen The aim of this book is to understand what Deleuze and Guattari mean by "art." Stephen Zepke argues