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Books

Cinema Year Zero
Gregory Flaxman Discusses Deleuze's enthusiasm for the cinema as a generator of new philosophical concepts in relation to Bergson's disregard
Cinema, chronos / cronos: becoming an accomplice to the impasse of history
David Deamer This chapter explores the two theses Deleuze puts forward for the transformation between movement-images and time-image: the taxonomic
Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema
Kilbourn, Russell, J.A. Engages with Deleuze's Cinema books at various points throughout, as part of a larger discussion of memory.
Cinema: Journal of Philosophy and the Moving Image - Special Issue
Viegas, Susana (ed) Online open access special edition of "Cinema" (Volume 6), dedicated to "Gilles Deleuze and Moving Images". http://cjpmi.ifl.pt/
Cinemas of Minor Frenchness
Bill Marshall Citation:  Marshall, Bill, “Cinemas of Minor Frenchness” in Buchanan and MacCormack (eds) Deleuze and the Schizoanalysis of Cinema,
Cinemasochism: Submissive Spectatorship as Unthought
Patricia McCormack Relates masochism to the openness of spectators to filmic images. Citation:  McCormack, Patricia. "Cinemasochism: Submissive Spectatorship as Unthought."
Cinematic Folds
Elavia, Firoza An anthology which begins with Elavia Deleuzian introduction, on cinematic folds. Also contains a chapter by Anna Powell,
Cinematic Geopolitics
Shapiro, Michael J. In recent years, film has been one of the major genres within which the imaginaries involved in
Cinematic Interfaces: Film Theory after New Media
Jeong, Seung-hoon A Bergsonian/Deleuzian philosophical perspective, drawn from the Cinema books, permeates the book. In this book, Seung-hoon Jeong introduces
Cinematic Thinking: Philosophical Approaches to the New Cinema
James Philips, ed. Each essay in Cinematic Thinking is organized around an interpretation of a postwar filmmaker and the philosophical
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