Technoscience Culture, Embodiment and Wuda pian
Submitted by David Martin-Jones on Tue, 07/10/2012 - 17:56
A wide ranging and complex philosophical piece on Chinese action films, which includes several lengthy sections on Deleuze - interval, duration, the outside, seriality.
Kin-yuen Wong, 'Technoscience Culture, Embodiment and Wuda pian', in Meaghan Morris, Siu Leung Li and Stephen Chan Ching-kiu (eds.), Hong Kong Connections: Transnational Imagination in Action Cinema (Hong Kong: Hong Kong University Press, 2005), pp. 267-286.
Title of Book:
Hong Kong Connections: Transnational Imagination in Action Cinema