Deleuze and Cinema: The Aesthetics of Sensation

Author: 
Kennedy, Barbara

Film theory has for so long focused on sociological, empirical, and psychoanalytic approaches that aesthetic sensibilities seem to have been forgotten. This book puts the emphasis back on film as an art form. Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days, and Leon, this book offers a new and creative collusion between Deleuzian philosophy and contemporary film studies.

Citation: 
Kennedy, Barbara M. Deleuze and Cinema: The Aesthetics of Sensation. Edinburgh: Edinburgh University Press, 2002. Print.